Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Miron, Ruth Hannah | A stylistic and structural analysis of representative keyboard suites of Johann Sebastian Bach. |
diss. |
| | 1983 |
266p |
|
| 2. | Rudloff, Helmuth | Beiträge zur Geschichte der Bach-Renaissance in Deutschland (1750-1850). |
diss. |
| | 1983 |
338p |
|
| 3. | Smith, Mark Mervyn | Certain aspects of Baroque music for violoncello as finally exemplified in the suites for unaccompanied violoncello by Johann Sebastian Bach. |
diss. |
| | 1983 |
187p |
|
| 4. | Buttmann, Rudolf | Die Lautenkompositionen von Silvius Leopold Weiss und Johann Sebastian Bach. Ein Vergleich. |
diss. |
| | 1983 |
70p |
|
| 5. | Wendt, Matthias | Die Trios der Brüder Johann Gottlieb und Carl Heinrich Graun. |
diss. |
| | 1983 |
340p |
|
| 6. | Higuchi, Mitsuharu | Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. |
diss. |
| | 1983 |
160p |
|
| 7. | Wright, Barbara David | Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. |
diss. |
| | 1983 |
viii, 458p |
|
| 8. | Spence-Thomas, Karen | J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. |
diss. |
| | 1983 |
|
|
| 9. | Fox, Pamela Mollard | Melodic Nonconstancy in the Keyboard Sonatas of C. P. E. Bach. |
diss. |
| | 1983 |
vi, 299p |
|
| 10. | Tishkoff, Doris Patricia | Sensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach. |
diss. |
| | 1983 |
193p |
|
| 11. | Wilson, Joyce Anne | The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. |
diss. |
| | 1983 |
|
|
| 12. | Magrill, Samuel Morse | The principle of variation: a study in the selection of differences with examples from Dallapiccola, J.S. Bach, and Brahms. |
diss. |
| | 1983 |
253p |
|
| 13. | Bingham, Davis Blair | The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. |
diss. |
| | 1983 |
x, 104p |
|